Splendour & Fantasy: The North German Organ Tradition

by Dirk Trüten

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released August 19, 2022
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1.	Magnificat primi toni Versus 1 \| in tenore 01:40	buy track
2.	Magnificat primi toni Versus 2 \| in discanto 02:49	buy track
3.	Magnificat primi toni Versus 3 \| in basso 03:27	buy track
4.	Fantasia in D 04:49	buy track
5.	Ach wir armen Sünder Primus versus \| Choral in Ten. 01:34	buy track
6.	Ach wir armen Sünder Secundus versus \| à 2 Clav. è Ped. 02:21	buy track
7.	Ach wir armen Sünder Tertius versus \| à 2 Clav. 02:17	buy track
8.	Canzon in C 03:21	buy track
9.	Komm, Heiliger Geist, Herre Gott \| Auff 2 Clavier [pedaliter] 07:29	buy track
10.	Praeludium in a, BuxWV 153 07:01	buy track
11.	Von Gott will ich nicht lassen, BuxWV 220 02:11	buy track
12.	Von Gott will ich nicht lassen, BuxWV 221 02:27	buy track
13.	Von Gott will ich nicht lassen Versus 1 \| [à 3] 01:44	buy track
14.	Von Gott will ich nicht lassen Versus 2 \| [à 2] 01:00	buy track
15.	Von Gott will ich nicht lassen Versus 3 \| [à 2] 01:18	buy track
16.	Von Gott will ich nicht lassen Versus 4 \| [à 4 pedaliter] 01:51	buy track
17.	Von Gott will ich nicht lassen Versus 5 \| [à 4 pedaliter] 01:31	buy track
18.	Von Gott will ich nicht lassen Versus 6 \| [à 5 con pedale doppio] 01:48	buy track
19.	Concerto in G I.Allegro 03:02	buy track
20.	Concerto in G II.Adagio 01:31	buy track
21.	Concerto in G III.Allegro 01:52	buy track
22.	Von Gott will ich nicht lassen 02:22	buy track
23.	Praeludium in G 08:55	buy track

about

"“Thanks to subtle inventiveness and diligent reflection, the organ has reached such a state of perfection that it lacks nothing; it needs no further experimentation or development at all,” wrote the famous German composer and music theorist Michael Praetorius in 1619. Many composers, from the North Sea to the Baltic, celebrated the great richness of this instrument: his homonym Hieronymus Praetorius, Dietrich Buxtehude, but also Tunder, Weckmann, Leyding, Druckenmüller, Hanff and Bruhns, helped to build up a dedicated repertoire, thus giving rise, between the 16th and 18th centuries, to a true North German organ tradition.

This programme was recorded in Dübendorf, Switzerland, on an organ built by Bernhardt Edskes. Dirk Trüten pays a vibrant tribute here to a heritage that was to inspire J. S. Bach, amongst others, and which reveals the beauty of this fascinating instrument. "

"L’orgue est une des plus habiles manifestations de l’ingéniosité et du raffinement de l’homme, ainsi que le souligne dès 1619 Michael Praetorius, célèbre compositeur et théoricien de musique allemand . Nombreux sont les compositeurs qui ont mis à l’honneur la richesse de cet instrument : de la mer du Nord à la mer Baltique, Hieronymus Praetorius, Dietrich Buxtehude mais aussi Tunder, Weckmann, Leyding, Druckenmüller, Hanff ou encore Bruhns ont œuvré à l’édification d’un répertoire dédié, actant ainsi la naissance d’une véritable tradition d’orgue nord-germanique entre les XVIe et le XVIIIe siècles.
Dans ce programme où les lignes s’entremêlent, enregistré sur un orgue de Bernhardt Edskes à Dübendorf, Dirk Trüten rend un vibrant hommage à cet héritage, qui inspirera notamment Johann Sebastian Bach, pour dévoiler à l’auditeur la beauté de cet instrument fascinant. "

credits

released August 19, 2022

Dirk Trüten: organ

EVCD092

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Dirk Trüten Zürich, Switzerland

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